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Poor Things Review: A Gloriously Grotesque Masterpiece?

Yorgos Lanthimos's "Poor Things" is not for the faint of heart. It's a visually stunning, intellectually stimulating, and often unsettling journey that follows Bella Baxter (Emma Stone), a woman brought back to life by a brilliant and unorthodox scientist. But is it good? Absolutely.

Stone delivers a career-defining performance, fearlessly embodying Bella's childlike curiosity and burgeoning sexuality as she explores the world with unbridled enthusiasm. The film's production design is a surreal delight, blending Victorian aesthetics with fantastical elements that perfectly complement the story's bizarre premise.

"Poor Things" is more than just a visual spectacle. It's a thought-provoking exploration of female agency, societal expectations, and the very nature of what it means to be human. While its unconventional narrative and explicit content might not appeal to everyone, those who dare to venture into Lanthimos's bizarre world will be rewarded with a truly unforgettable cinematic experience. Be prepared to be challenged, provoked, and ultimately, captivated.

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